Temple of Vinyl is primarily an. Here are a few records that I've recently listed for sale on my Discogs. Carl Craig's beatless version of Dave Angel's. Find a Carl Craig - DJ-Kicks first pressing or reissue. Complete your Carl Craig collection. Shop Vinyl and CDs.

Born: 22 May 1969 in Detroit, USA. Carl Craig was a key player in Detroit techno's second wave, following the futuristic lead of originators,, and, and eventually collaborating with May. He began recording at the turn of the 1990's, using a number of aliases to release innovative ambient, techno, breakbeat and future jazz sounds. One such alias,, issued ' in 1992, the track largely responsible for moving drum 'n' bass away from the sounds of hardcore and ragga.

He later reconvened Innerzone Orchestra as a jazz/techno combo, recruiting jazz composer/keyboardist, former member, and to help him record 1999's album '. Matt Chicoine, under alias, later signed for Craig's own label, a peerless dance label employing the same eclectic and futuristic ethos that informs his own music. With releases under many aliases, including,,,, and; Carl Craig has more musical personalities than the average electronic artist. As much as his different guises can confuse though, his music is always easily recognized because whatever he does, it retains that certain Craig-ness of sound. A deep commitment to soul mixed with jazz, often including but not exclusively so, a detroit techno sound, has always been the watermark of his music.

Even when Craig is destroying dance floors with such songs as the classic track ' (or one of the very many versions of it!) there is always a subtleness and attention to detail that separates his music from that of the typical dance music producer. Carl Craig is the real deal. He's techno's John Coltrane or Miles Davis, the guy leading the rest down uncharted paths. In 30 years people will look back on Carl Craig's ridiculously consistant output in documentaries on PBS.

Budidaya Cacing Lumbricus Rubellus Pdf Free. In my opinion, he is probably the most important musical artist of the past 20 years. His albums are stellar, and his 12's are ridiculously good.

He's done jazz, house, techno, disco edits, hiphop, soul, etc. There's nothing he can't do. He's been quoted as saying he wants to be the next Quincy Jones.

I love QJ, but C2 has him beat. It is quite clear that Carl Craig has played an integral part in the history of Techno everybit as much as derrick juan kevin and Eddie flashin fowlkes (eddie often referred to as the unfairly forgotton brother of Detroit). Carl Craigs production can be quite hard to understand and even quite hard to get into, especially to those new to his music, HOWEVER listen a second time and you begin to understand. Listen a few more times and you're hooked.

The same is to be said about his DJ kicks more directly his Workout mix CD. It may seem a bit light and bitty to some, but keep on listening properly and you begin to realise that this is a man who constantly pushes the boundaries is open adding his own PERSONAL touch. I met him at the bridge and tunnel in London when he was playing, it was only a small party with about 150 people. He was even playing hip-hop and soul, and the occasional dutch house record.

I mentioned that i had bought a copy of 'steam' off eBay - he replied that he didn't think it had been released. When i sussed him out and told him it had come out on planet E, Touche and Open records he chuckled and told me I had sussed him on that one. Down to earth guy. But most importantly don't forget his contribution has changed techno forever. Comparing DEMF; The Carl edition, vs. The Non-Carl edition.

As someone who has been around electronic music as a buyer, as a supporter, a promoter, a participator for many many years. I had so much more fun and felt much more rewarded as a listener and a traveller when it concerns Detroit Electronic Music Festival 2001 versus 2002. That was such a more open minded affair as far as the permutations and an HONEST representation of House Techno Electro etc etc ad infinitum are concerned than the 2002 edition. Comparing the two is like night and day. 2001 I felt rewarded if I stuck around to listen to some artist I may have a periphal knowledge about who was due to perform or just a Hi how are ya?